About
Voice are Emily Burn, Victoria Couper & Clemmie Franks. Celestial Sirens a female voice choir directed by Deborah Roberts and Laurie Stras.
Starting with the mystical chants of Hildegard, this programme introduces some of the extraordinary range of music that would have performed, and even composed by cloistered nuns in the Middle Ages and early Renaissance.
More familiar composers include Gilles Binchois (c.1400-1460) and Josquin des Prez (c.1440-1521), heard alongside Gregorian chant and anonymous music from two 14th-century Spanish manuscript: the Las Huelgas Codex from a convent in Burgos, and the Llibre Vermell from Montserrat in Catalonia.
Music from Italian convents will include tuneful Laude that the mystic Caterina Vigri (Saint Catherine of Bologna) enjoyed singing with her sister nuns, and from the 16thcentury 5-part motets that may have been composed by Lucrezia Borgia’s daughter, the nun Leonora D’Este. Hildegard’s music has inspired a number of contemporary composers. The concert ends with music by Stevie Wishart and Marcus Davidson, including works specially written for Voice.
Join us for Viriditas: the music and life of Hildegard von Bingen, a unique series of events exploring the contemporary resonances of the music and life of one of the most remarkable women of the middle ages. Hildegard von Bingen (1098 - 1179) was a visionary, mystic, poet, healer, naturalist and theologian. She was also the world’s first named composer – and the most prolific and original musician of her time.
Viriditas (Latin for “green truth” or “greening power”) speaks to the intrinsic and vital relationships that exist between all living beings. The concept is central to the systematic botanical and medicinal texts - for which Hildegard is recognised as the founder of German naturalism - and is a theme key to her life-long ecstatic visions that are strikingly documented in the poetic lyrics and soaring melodies of her music, and in the texts and illuminations of her theological and cosmological treaties.
A post concert conversation will take place with Professor Laurie Stras.
General Information
Access
The following access tickets can be booked online: spaces for wheelchair users, seats with flat floor access, best seats for sightlines of captions / BSL interpretation (when applicable). For guidance about online booking and for further information about accessibility at the venue see our Access page here.
If you have access requirements that you would like to discuss with us or would like to book a ticket for a Personal Assistant please contact the box office on 01273 678 822 or email boxoffice@attenboroughcentre.com.
Pay What You Decide
There is an allocation of Pay What You Decide (PWYD) tickets available to guests on a first-come, first-served basis. Come and see the show without paying anything in advance, and then pay what you think is appropriate at the end of the show. Maximum of four PWYD tickets per person. Please phone the box office on 01273 678822 or email boxoffice@attenboroughcentre.com for further information.
Concessions
The concession rate is available for students, University of Sussex staff, Over 60s, and people in receipt of JSA or DLA/PIP. Proof of eligibility may be required on the door or at the box office (if collecting). Personal assistance tickets are available for free for customers who would otherwise be unable to attend the venue. Please contact the box office on 01273 678822 or email boxoffice@attenboroughcentre.com for further information.
Box Office Opening Times
The box office (phone line and drop-in service) is open from 10am to 4pm, Mondays to Fridays. The box office is also open one hour before the advertised show start time.
Dates & Times
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Sunday 10 February, 20196:00pm
Tickets
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Standard£7
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Concessions£5